There’s been much ink spilled over the past few days about the San Francisco Opera’s upcoming production of Amy Tan’s The Bonesetter’s Daughter, with Tan writing the libretto herself after director Stuart Wallace “badgered” her into it, saying the novel “must be an opera.” As for her hopes for the opera, she tells Newsweek “part of it has been fulfilled already, as I’ve had this amazing musical experience. If people respond enthusiastically, I’ll be grateful. But even terrible reviews cannot diminish its success for me personally. It will hurt, but I won’t regret doing what’s been so fulfilling.” Meanwhile, reactions […]
