On the one hand, when a book like Ron Suskind’s The Way of the World or Jonathan Mahler’s The Challenge is published with juicy details or inadvertently timed to a breaking story, it gets them a great deal of attention and keeps them in the news cycle. But as the Observer’s Leon Neyfakh discovers, the other hand contains a double-edged sword – one where the meat of the book can get lost underneath a news break’s tidal wave. “Copies may sell, of course. But the seriousness of the project, and the commitment of the undertaking, will be forever eclipsed.“ Take […]