At the antitrust trial, marketing and publicity expenditures were discussed mostly as a way of determining the level of support for Anticipated Top Selling Books (those acquired for $250,000+). While there are exceptions and surprises—the social media influencer whose posts promote the book for free; the modest acquisition that becomes an in-house favorite or hotly anticipated by readers—most publishers agreed that there was some correlation between advance level and promotional spend. Marketing Vs. Publicity In broad terms, marketing is paid for (i.e. advertising) and publicity is not, and they are usually handled by two separate departments. For marketing, in addition […]
Authors Lunch
Trial Takeaways: Author and Agent Compensation
Since the Penguin Random House antitrust trial hinged on author advances, witnesses explained publishing contracts, advances, royalties—and when the author sees that money. Agents also broke down how they’re paid. Author Compensation Hachette Book Group ceo Michael Pietsch explained that an author’s contract “includes a grant of rights of the ability to sell it in a particular territory, often North America, sometimes around the world, including translation rights,” plus a royalty to the author for every copy sold. There are also royalty rates for licensing or translating the book, or for excerpts being published in magazines (called “first serial” rights). […]
Trial Takeaways: Pre-empts and Auctions
In the Penguin Random house antitrust trial, agents testified about what happens after the submission process: receiving offers, sometimes in heated auctions for top dollar. Here, we’ve compiled their thoughts on pre-empts and auctions. Ayesha Pande at Ayesha Pande Literary said that her methodology to sell a book “depends on how many editors at different publishing houses have expressed interest. The preferred scenario is if there are several interested publishers so that I can move toward a competitive closing. If there’s just interest from one publisher, then I have to try and negotiate in good faith with that publisher.” Pre-empts […]
Authors Talk: Zain Khalid
Zain Khalid’s debut novel is BROTHER ALIVE (Grove Press, July 12, 2022. Editor: Peter Blackstock, VP, Deputy Publisher, Grove Atlantic. Agent: Kent Wolf, Neon Literary.) He has been published in the New Yorker, The Believer, the Los Angeles Review of Books, McSweeney’s Quarterly Concern, and elsewhere. He has also written for television. He lives in New York City. How did you find your agent? He found me! He reached out after reading something of mine in The New Yorker. We ate a ribald lunch and discussed an idea for a short story about three orphaned brothers that would go on to become Brother […]
Trial Takeaways: Agents 101
As it became clear in the trial, economics experts made analyses that no one else ever has, because they had access to data from multiple publishers. Similarly, the trial itself highlighted information across the industry that is rarely spoken aloud or compared between companies. Here’s what we’ve learned about publishing from a wide swath of industry players. All About Agents As an expert witness testifying about the role of literary agents, Jennifer Rudolph Walsh gave the court and the public a primer on agenting—information that can be helpful for writers or aspiring industry professionals. “The literary agent finds the author, […]
Ask An Expert: Jane Friedman
Jane Friedman, Publishing consultant and author Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors. She is the editor of The Hot Sheet, the essential publishing industry newsletter for authors, which was named 2020 Media Outlet of the Year by Digital Book World. She is the author of The Business Of Being A Writer (University of Chicago Press). Learn more at Jane Friedman. Below are highlights of Jane’s Discuss forum, and for the complete conversation, go here. What tips do you have for assessing a publisher’s reputation? Are there certain things to […]